single wide tea cup on a saucer with a spoon leaning across the rim, three-quarter view, three curls of steam rising and one drip running down the outside, a folk flower painted on the cup side, loose ink-and-thread contour around the cup the saucer and the spoon, embroidery hatching in cream and powder blue on the porcelain with warm honey gold on the tea and silver-white on the spoon, soft pastel lilac and mint green patches behindblue-and-white folk painted teapot rattling on a stove with the lid jumping and steam bursting out of the spout, side view, painted cobalt flowers and curling vines across the belly, two curved motion lines around the hopping lid, loose ink-and-thread contour around the teapot and the steam, embroidery hatching in navy blue and pastel sky blue on the painted pattern with cream on the porcelain, soft lavender and pale teal patches behindachine embroidery design on black fabric, a tough biker goat portrait in a black leather jacket
and round dark goggles, the forelegs are furry goat legs ending in split black cloven hooves that
grip instead of hands and fingers, his long face with a heavy brow and a confident smirk, the
goggles two round lenses in glossy black satin with sharp white highlight crescents and brass satin
rims, a broad nose, a thick pointed beard in flowing charcoal lines with a grey streak, massive
ridged horns curling back stitched as bands of satin segments in dark umber with pale tips, a red
bandana tied around the top of the head between the horns in scarlet fill with a pattern of tiny
white dots and knotted ends flying back, the leather jacket in deep black fill with bright silver
satin zipper lines, studs on the collar as tiny silver knots and a folded collar with pale grey
highlights, a white t shirt beneath, one front hoof raised high, three speed lines behind, two
silver sparks off the goggles, born to ride mood, no human hands and no fingers anywhere, fill
stitch jacket bandana and fur, satin goggles zippers studs horns and highlights, fine stitches,
black backgroundplump bearded grandfather in a knitted vest lifting a heavy copper samovar with both arms and leaning back from the weight, side view, eyes squeezed shut and cheeks puffed, felt boots planted wide apart, a curl of steam from the samovar lid, loose ink-and-thread contour around the man and the samovar, embroidery hatching in warm honey gold and caramel on the copper and chocolate brown with cream on the vest, bold rust orange and pastel mint patches behindred fox diving headfirst into deep snow with only her hind legs and bushy tail still sticking up, three-quarter view from behind, snow spraying outward in loose flecks, ears folded back, loose ink-and-thread contour around the fox and the snow burst, embroidery hatching in rust orange and warm honey gold on the fur with cream on the tail tip, bold icy blue and lavender patches behindold witch Baba Yaga sneaking away on tiptoe with a huge lumpy fabric sack over her shoulder, three-quarter view, giggling with gaping toothless mouth showing only one crooked gray tooth on top and two crooked teeth on bottom, long hooked nose and disheveled hair escaping a knotted kerchief, multi-layered torn skirt with folk embroidery details, expressive motion lines behind her heels, loose ink-and-thread contour around the figure and the sack, embroidery hatching in warm earthy ochre chocolate brown and moss green on the dress with crimson accents on the kerchief, bold lilac and pastel sky blue patches behinddandelion clock caught in a gust with half the seeds already flying off to the right, close-up side view, the bare side of the head showing its empty sockets, about fifteen seeds airborne at different distances, the stem bent by the wind, loose ink-and-thread contour around the head and the flying seeds, embroidery hatching in silver-white and pale gray on the seeds with moss green on the stem, soft powder blue and peach patches behindwooden honey dipper lifted above an open jar with a thick thread of honey running down and pooling on the surface, close-up side view, two bees hovering near the rim, a scatter of golden drops on the table line, loose ink-and-thread contour around the jar the dipper and the honey stream, embroidery hatching in warm honey gold and caramel on the honey with chocolate brown on the wood and ochre with charcoal on the bees, bold amber and pale teal patches behindsmall bird landing on a cherry branch and making it bob under her weight, side view, wings still half open and tail spread for balance, seven ripe cherries hanging in pairs and five blossoms open along the branch, two petals shaken loose, loose ink-and-thread contour around the bird and the branch, embroidery hatching in crimson red on the cherries and teal with cream on the bird and chocolate brown on the bark, bold dusty rose and pastel sky blue patches behindloose bouquet of autumn branches crammed into a glass jar, three-quarter view, maple leaves rowan berry clusters and two dry seed heads sticking out at different angles, three fallen leaves lying beside the jar, water line visible through the glass, loose ink-and-thread contour around the branches and the jar, embroidery hatching in rust orange ochre and crimson on the leaves with emerald on the stems and icy blue on the glass, bold caramel and pale teal patches behindround owl flapping wildly after missing a branch, wings spread at odd angles and feet grabbing at empty air, front-facing, huge startled amber eyes and beak open in surprise, three feathers drifting loose beside her, loose ink-and-thread contour around the owl and the branch, embroidery hatching in warm ochre chocolate brown and cream on the feathers with charcoal gray on the wingtips, bold dusty rose and pale teal patches behindsmall round teapot with one cup beside it, minimalist centered composition, two curls of steam and a single flower painted on the teapot side, loose ink-and-thread contour around both objects, embroidery hatching in powder blue and cream on the porcelain with warm honey gold on the tea, small pastel lilac and mint green patches behind
